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ART.2021.01. |
| For this series has been chosen specifically for religious and mythological images. However, by placing the figures - each appropriated from classic paintings - behind a geometric grid contrasting associations arise. The analog pixels that appear due to the distortion of the plastic prism plate act like the scrambled image of a suspect. But at the same time, the plate also seems to work as a protection of the vulnerable. Is this series about censoring the religious or is it rather an attempt to protect the weak? The grid over the classic paintings also emphasises the geometric composition that has been used. Or does it expose an underlying matrix, a metaphysical network that’s being uncovered… [image top: Flower Still Life I, image bottom: The Birth of Venus].
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